Phillip Smith and Robert Rufino’s Rhinebeck Weekend Retreat Has B…
“I had an obsession with stone residences,” suggests Phillip Smith. So when he started searching for a weekend getaway of his possess, the New York Town resident centered his lookup in the Hudson Valley, in which woodlands are normally dotted with generations-old residences crafted from area stone. He fell in really like with a 1716 house in Rhinebeck.
Even for the most ardent antique enthusiasts, while, there are negatives to an aged stone home. “They failed to create them the way people construct homes now, with doorways connecting all the spaces,” Smith details out. “It was definitely defense against brutal aspects.” The end result is a thick stone exterior with negligible egress, surrounding an open up space with a hearth.
Soon after he commenced spending far more than just weekends there, Smith tapped architect Robert A. Marrapodi to create a modern day addition. “He experienced the outstanding thought to split by that stable stone wall in two positions so I acquired all of that mild, simply because it was terribly darkish,” Smith recalls. The job resulted in a new living area and kitchen that present perks like higher ceilings and radiant flooring heating when retaining the historic integrity of the property. “I’m the custodian of this dwelling now, as there were generations prior to, so I want it to be anything that I can actually reside in,” suggests Smith.
An avid collector and all-natural aesthete, Smith crammed the area with antiques from good friends or stores close by: “As I identified matters, I introduced them in and I just accumulated around time,” he states. The collection grew substantially when Smith’s buddy of 45 years, Residence Stunning Fashion Director Robert Rufino, gave up his possess weekend property and became what he calls “a permanent houseguest.” Rufino took up aspect-time home in the guest home (now “Robert’s room”), his treasured possessions blending with Smith’s.
The history to these collections is serene and easy, reflective of the quiet organic elegance that surrounds the home—which is particularly what draws Smith and Rufino to it. “I could stare for several hours at those stone walls and watch the gentle reflect off them,” Smith says. “I picked shades that could have been a vein or a shadow in that stone, absolutely nothing far too jarring.” Here, he suggests, he is “happy like a pig. This area and this residence just give me peace and contentment.”
Rufino puts it this way: “This household is a effectively-lived everyday living. It is the place you go and you cling your hat, the place you are at simplicity. And how fortunate am I to share it with my ideal pal?”
“In the morning, I occur down to make my espresso, and then I go to every single window in this dwelling and search out,” says Smith, “and I’m in heaven.” The authentic dwelling space functions as both of those an entry and a accumulating place.
Sofa: Carlyle. Pillows: Carleton Varney (antlers) a gift from Rufino’s brother (lumbar) customized (crimson). Lamp: Christopher Spitzmiller. Rug: Bloom. Desk and trunk: antique.
The home’s authentic ceiling beams pop on a backdrop of Benjamin Moore Cinder wall paint.
Desk: Hyde Park Antiques. Fauteuils: Amy Perkins Antiques. Lamps, sign, and side chair: vintage.
Soon after finishing the addition, Smith was in search of a table. “Right at that time, a buddy of mine’s mom handed. I adored her, and when my mate went as a result of her points she reported, ‘There’s a table here with your identify on it.’ I was just about in tears.” Drawers on the sides keep desk linens and cutlery.
Paint: Revere Pewter, Benjamin Moore. Chairs: Harry Bertoia for Knoll. Pendant: Hudson Valley Lighting. Lamps: Christopher Spitzmiller. Artwork and servingware: antique.
A Les Indiennes throw distinguishes the headboard.
Bedding: William-Wayne & Co. (bedspread) Ralph Lauren Home (pillowcases) Michelle Nussbaumer (red pillow) Annie Selke (patterned pillow). Chair: Cassina. Lamp: vintage Giacometti.
Smith fashioned the hanging piece by stringing crystals from an antique chandelier onto a area of wire fencing he observed on the assets the stool was a present from a friend.
Paint: Revere Pewter, Benjamin Moore.
Own mementos and ephemera—including a sculpture of Rufino by Doug Meyer and lots of depictions of Smith and Rufino’s beloved late pet dog Windsor—cover a established of developed-in cupboards.
Paint: Chantilly Lace, Benjamin Moore. Rug: Patterson Flynn.
Paint: Copley Grey, Benjamin Moore. Taxidermy: Hyde Park Antiques. Lamps, mirror, and trunks: classic.
The kitchen’s a lot of home windows give an virtually greenhouse effect, a reprise from the darkness of the authentic segment.”I realized in undertaking it that I was sacrificing cupboards, but that mild coming in was more critical to me than anything at all,” Smith states. The artwork, arranged in a pattern mimicking panes, was a holdover from the aged, in the vicinity of-windowless kitchen.
Paint: Revere Pewter, Benjamin Moore. Chairs: Harry Bertoia for Knoll. Pendant: Hudson Valley Lighting. Lamps: Christopher Spitzmiller. Art and serving ware: antique.
The pebbled wall is “sort of a modern reference to the stone of the home,” Smith suggests. Framed spouse and children images cover the beadboard beside it.
Chair: antique. Striped towel: Ralph Lauren Residence.
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