Albert Frey blew into Palm Springs within the tumble of 1934. He was scarcely 31, all limbs and ideas, keen to depart an imprint out West. The Swiss-born architect arrived by the use of New York, the place he turned down a partnership deal from his earlier supervisor, Philip Goodwin, to generate throughout the state and look at the shifting panorama of American structure. (The pair would afterward collaborate on the type the Museum of Modern-day Artwork constructing in Manhattan.) It was the most well-liked yr on historical past, and newspaper headlines heralded ominous mud storms in the course of the heartland, however that didn’t give up Frey from fleeing the bustle of the Huge Apple, eyes fixated on the magnificently barren California desert. That was Frey. He’d lived in 3 nations simply earlier than touchdown at Ellis Island in 1930. Till he settled in Palm Springs, the wunderkind didn’t keep anyplace lengthy.
Frey’s exact accomplice and former East Shoreline housemate, A. Lawrence Kocher, skilled a brother, J.J., who’d taken up residence within the Coachella Valley two a few years beforehand. A retired well being practitioner, J.J. commenced a precise property growth and insurance coverage firm and desired an workplace surroundings. Kocher and Frey heeded the get in contact with with a bilevel dice of a making, concluded in 1934, geometrically reflecting the gradual-stepping horizon line of the encircling San Jacinto Mountains. It was stark white, a excessive departure from the current brick storefront that J.J. had developed with help from the indigenous Cahuilla — and was among the many the first Worldwide Sort buildings within the nascent trip resort city of Palm Springs.